Introducing Get The Guilt Out TV!

Guilt-Free No Comments »

If you’re reading this, you’ve probably been to YouTube somewhat recently. And if not, you certainly know what YouTube is and the impact it is having on the world. In 2006, it helped earn YOU (yes, you!) Time Magazine’s Person of the Year award! If you don’t recall, the cover featured a mirror-surfaced computer screen and the article told us:

“It's a story about community and collaboration on a scale never seen before. It's about the cosmic compendium of knowledge Wikipedia and the million-channel people's network YouTube…”

“This is an opportunity to build a new kind of international understanding, not politician to politician, great man to great man, but citizen to citizen, person to person. It's a chance for people to look at a computer screen and really, genuinely wonder who's out there looking back at them. Go on. Tell us you're not just a little bit curious.”

One of my favorites on YouTube, and I think perhaps certainly one of worthiest videos for global popularity, features a man who travels the world and dances in a happy, free-form way with whoever will join him. Though the film’s title isn’t quite so lofty, Where the Hell is Matt (2008) is a YouTube sensation that earned him one million hits in the space of a day, and according to MinnPost, Matt had millions more watching before the week was out.

As of the date of writing this blog post, Matt’s 10-million-plus views still don’t get him a place among the top 20, or even the top 100 most viewed YouTube videos of all time. Those are largely music videos, posted by the licensed entertainment companies quite legally. But there are still some that were made by the people that have built YouTube to the point that entertainment companies would be interested. The Evolution of Dance is the clear winner with over 99 million, 500 thousand views since it’s posting in April of 2006. The top 20 also includes some puppet comedy and babies that make us laugh whether they are laughing or crying.

In the top 10 is a song that inspired one of Garments Without Guilt’s new videos, in which a song with the lyrics “It’s too late to apologize” issue from an unexpected  mouth-one belonging to a bearded fellow named Osama.  Check it out at GWG’s new YouTube Channel, Get The Guilt Out TV! 

Taking cues from the Top 100 and from the participatory nature of YouTube, we’ve expanded upon our mission to offer the world guilt-free clothing. Now we want to help everyone enjoy the lightness of being that is guilt-free-dom.

We’ve taken down all barriers, even those that some might consider to be in the interests of good taste, so that no one will feel shy sharing their deep, dark shadowy secrets.

Our channel also features some celebrity-related confessions, (since people love the tabloid gossip), some slightly prurient confessions, and some real-life confessions ranging from the light-hearted to the broken hearted, and the personal to the professional as well as the religious. In many cases, laughter is the best medicine for guilt, especially when we can relate to the plights of others. One video even offers a way to further allay guilt by donating to a good cause after guilty-pleasures-type-purchases.

So let the red-hand in our Get The Guilt Out TV logo remind you that being caught red-handed isn’t so much fun, but confession is good for the soul! Or in the fashion-friendly words of American Satirist Peter De Vries, “Confession is good for the soul only in the sense that a tweed coat is good for dandruff — it is a palliative rather than a remedy.” It’s still a good start. Or perhaps you’d prefer the words of English writer John Webster, who said “How tedious is a guilty conscience!”. Indeed.

Get The Guilt Out by posting your confession(s) on Get the Guilt Out TV!


Written for Garments Without Guilt by Malayna Dawn.

“Where Am I Wearing?”-The Book…and the Interview

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We know you GWG readers are on the frontlines of the growing number of consumers who are interested in how and where your clothes are made. And because you’re so far ahead of the pack, we wanted to give you an early tip on a book that you are sure to appreciate and enjoy.

“Where Am I Wearing?” by Kelsey Timmerman, is due for release on December 1st, but we were fortunate enough to receive an advanced copy. He was so interested in how and where his clothes were being made, that he traveled to the Honduras, Bangladesh and China to find the factories, and meet the people who made his clothes. An intelligent, down-to-earth person with an inquisitive mind, a good sense of humor, and a taste for adventure, we found his honest, insightful take refreshing enough that it’s sure to inspire many to follow in his footsteps.

GWG talked with Kelsey to find out more:

GWG: You said in the book that when you talked to people about your quest, you were surprised to find that they assumed that their clothes were made in sweatshops. Where do you think they got that idea from?

Kelsey: I think that 10 years ago or more, you had the whole Kathie Lee scandal popping up. That’s what the news was reporting at that moment in time, and it was a big deal back then. I think that just got ingrained in them-that that’s where their clothes came from. And they came to accept the ‘fact’ that all their clothes were made somewhere else, and they’re all made in the worst possible conditions by people who are exploited. And what amazed me was that if they thought this, why didn’t they have a problem with it?

GWG: Exactly. So you talk about being an engaged consumer, what exactly would that entail? How would you tell these people to be engaged consumers?

Kelsey: Well you know it’s not a super easy thing to do. You can’t just say ‘do this, do that’. What I’ve tried to do is I’ve tried to research the brands before I buy anything. You can go on their website and look to see if they reveal where their factories are. You can tell really quickly if the brand is engaged or not. If they have two paragraphs written about the people who make their stuff and where they’re made, and under what conditions their products are made, then you know that. . . that’s not quite enough, in my book. What is enough? I think everyone has to kind of decide for themselves.

Recently I was shopping online at Patagonia, which is a company I mention in the book. Companies don’t really allow us to be really engaged consumers, they don’t really encourage the consumer. . . even a company like Patagonia, who tends to be more of an engaged company than most, on their website it just says ‘imported’ for the clothes. It doesn’t say where they were imported from.

So the other day before I bought the items I bought, I e-mailed them, or filled out their form on just their generic customer service form, saying “Hey, I’m looking at this product, this product and this product. Where were they made?”

GWG: Did you get a response?

Kelsey: Within an hour.

GWG: Oh, wow!

Kelsey: They responded immediately, and I placed my order, and woo-hoo! Go engaged consumer!

(GWG note: Kelsey’s blog reported soon after this interview that Patagonia has changed their site to reflect this.)

GWG: I don’t know if you’ve heard of the Lazy Environmentalist., he says that most people are Lazy Environmentalists, they need an easy place to start. Would you recommend people do what you did- which is to look at the clothes they already own and maybe check into those items as a starting place?

Kelsey: Yeah, I think if people started looking in their own wardrobe, where their products come from, and what company made their products, then that’s a place to start to educate yourself.

You know, there’s no sure way to say ‘this is how to ensure that your products are made under conditions that you approve of’. Like I mention in the book about people’s eating habits, some people are vegetarians, some people are vegans, some people are on the Atkins Diet some people are on the junk food diet. I just think you have to have some kind of your own standards. Maybe you don’t want to buy clothes made in China because you don’t approve of their human rights record, maybe you want to buy clothes made in Sri Lanka or Bangladesh to help support a growing industry in those countries.

I think it’s a personal decision and there’s not enough information out there for anyone to say ‘this is how you should go about buying your clothes’ because it’s just so different, no matter where you buy them from.

GWG: I’m thinking of the carbon offset industry-where you can buy carbon offsets and feel a little less guilty about flying or the energy used for your home. Can you think of anything that would be the equivalent for people who feel guilty about the clothes they’ve bought?

Kelsey: I guess I’ve been looking for some things like that. I don’t know if I’ve found anything that I would definitely recommend to everybody at this point in time. To me a lot of the poor working conditions, or not-so-great working conditions, associated with places isn’t so much the garment industry as much as the country and conditions that the industry is taking place in. So you maybe could donate to a worker’s rights group in a certain country.

More than anything I think that poverty is the large issue. Organizations like ONE, the campaign to end poverty €¦to raise poverty awareness and try to eliminate poverty, and kind of raise everybody up as we go, maybe something like that.

One thing is, I don’t think we should clear our conscience of the matter completely, you know? With the carbon thing, if you go out and pollute like crazy and then buy your way out of it, is that really going to clear your conscience? Is that the way to go about things?

I don’t know. I think we should just understand where our clothes come from and who’s making our clothes.

GWG: You have a lot of backup research throughout the book. Is that stuff you already knew, was that in your head as you went on the trip? Or was it stuff that you researched and put in afterward to tell the story?

Kelsey: Well I think it probably varies somewhat with what I knew and what I didn’t know. I had gone to that SweatFree conference before, so I was trying to educate myself before the trip about the industry, and I had read several different books.

The Triangle Shirtwaist factory fire of 1911 in New York City- I knew about that stuff and basically how the industry got started and how it moved. The first book I turned to was “Travels of a T-shirt” by Pietra Ravoli. And so I read that book before I left.

GWG: You talk about the cultural meaning behind things like t-shirts and jeans, and a person’s closet being a museum of them. Was that something that you had thought about before you decided to go on the quest? Were you really interested in what the clothes meant to you? Or did that come only after you noticed the countries that they were made in?

Kelsey: Oh I guess a little bit of both. I am wearing my USA shorts that I write about. So I do grow attached to certain pieces of clothes. I don’t buy that many clothes, I’m not obsessed with clothes by any means. But then you think about things like blue jeans and there’s a certain nostalgia you can associate with clothes. You know, you have memories of your childhood and you think “Well, what was I wearing?”

Then when I got back from the trip, definitely. You see what you always thought about blue jeans, and then you see where they were made and who’s making them, and it definitely changes your perception. It gives you something more to compare-what you always thought about blue jeans to the real story of blue jeans.

GWG: One of the other things I thought was interesting, is that you mentioned that by looking at her, you couldn’t tell if Arifa’s child was a boy or a girl because “some people can’t afford engendering clothing”. I had never thought about that before, that it would be a luxury to be able to choose pink or blue for your kid. I just thought it was an interesting point about the sociology of clothing.

Kelsey: Yeah, they just put ‘em in whatever they’ve got. I’m sure that they have some outfits for her that probably look more girlish, but none that I ever saw.

GWG: One of the things that comes through in the book is that what we in developed nations believe children should be entitled to, is not what the experience is for children in developing nations.

You were talking about how you felt better when you had a quest, when you had a purpose a direction to go, what quest do you have now?

Kelsey: Now I guess, in life, I have a baby coming in December, so that’s my biggest quest.

GWG: And you’ll get to put the baby in engendering clothes . . .

Kelsey: (Laughing) That’ll be my wife’s job.

And on that note, we’ll close, but you can hear Kelsey telling some of the stories from his book for World Vision, a humanitarian organization “dedicated to working with children, families and their communities worldwide to reach their full potential by tackling the causes of poverty and injustice.”

You can access them from his blog, www.whereamIwearing.com or by clicking on these story titles:

Fantasy Kingdom
Bibi Russel interview

And check back because there are more to come.

Be sure to pre-order his book so you can read the first chapter in advance:
and then spread the word!

Kelsey Timmerman interviewed for Garments Without Guilt by Malayna Dawn.

Green “spring”boards for NY Fashion Week

Addressing Environmental Issues, Eco-Ethical Clothing, Ethical Business Practices, Guilt-Free No Comments »

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Celebrity walkers celebrate after the show in the Milstein Hall of Oceans at the American Museum of Natural History. Photo courtesy of BeEcoChic.com

The New York Fashion Week got a fresh, green start for their Spring ‘09 collection shows. While a celebrity fashion event launching the new Be EcoChic campaign was happening at the Museum of Natural History, Aveda threw a party to launch their new Kick the Cap Out of Oceans cap-recycling program.

From Aveda’s website:

Fashion Week Spring/Summer 2009 marked the official kick-off of Aveda’s Caps Recycling Program-our powerful grassroots effort to help save marine life by reducing the amount of caps littering our beaches and oceans. Models, stylists and designers backstage participated in the program-bringing in their plastic caps to Rodarte, 3.1 Phillip Lim, Preen and Alexander Wang-Aveda’s designer partners in “green-ing” the runways.

Aveda, with their line of natural and organic beauty products, is one of the leaders in environmentally-friendly products and ethical business practices. While they offer customers guilt-free ways to enhance their natural beauty, Be EcoChic helps raise awareness that adorning the body fashionably can be guilt-free too.

Actress and model, Lauren Hutton, wows everyone in a Maggie Norris Couture military coat, jodhpurs and white cotton shirt. Photo courtesy of BeEcoChic.com

Their fashion show featured celebrity “walkers” modeling eco-inspired designs by top names in fashion like Del Forte, Donna Karan (DKNY), FORM, Red Carter, and Vena Cava among many others.

Tamara Tunie of TV’s “Law & Order: SVU” in B. Michael recycled and reconstructed quilted cotton ball gown with yarn-embroidered garden motif. Photo courtesy of BeEcoChic.com

All designs were made using innovative fabrics that are environmentally-sensitive, sustainable, low-impact and/or recycled. And to complement the designs, celebrity makeup artist, Matin, created a chic eco-inspired “look” for the runway show.

Malin Akerman, from the film “27 Dresses”, looks luminous in a Sue Stemp recycled black evening beaded dress. Photo courtesy of BeEcoChic.com

Meanwhile, Be EcoChic kept the show’s production green by donating many of the set materials to Montclair State University’s theater department, minimizing carbon emissions from construction and lighting, serving locally-grown, organic hors d’oeuvres, and making a donation to offset the show’s carbon footprint.

Elizabeth Mason Couture bamboo jersey evening gown on EcoMom Alliance founder & Be EcoChic Board of Advisor member Kimberly Pinkson. Photo credit: Kira Stackhouse, courtesy of Treehugger.com


Be EcoChic’s Board of Advisors is made up of some pretty cool people. Kimberly Pinkson, (pictured above) has a background in sustainability that includes working with indigenous elders across cultures. Carl Pope has been a Director of The Sierra Club for nearly 30 years. Angela Lindvall is a model who co-hosts a green TV show called “Alter Eco” for the Planet Green channel, and Fern Mallis is a fashion industry powerhouse with an interest in making the world a better place.

Garments Without Guilt knows how much publicity and networking a fashion week can offer, which is why we are involved with the Colombo Fashion Week, currently gearing up for February 2009.

If we all work together, we can make all fashion guilt-free and sustainable!

The Afterlife…for Clothes

Addressing Environmental Issues, Eco-Ethical Clothing, Guilt-Free No Comments »

One of the most-read climate change stories of 2007, according to Times Online UK was “Climate Change: A Stitch in Time“. Here’s their description:
With oil running out, is it too late to save the planet? Not if we learn to mend and make do, says John-Paul FIintoff. Whether it's growing your own food, restoring a building, or revamping old clothes, the reskilling movement starts here.

From the article:

But soon we’ll all have to become more self-sufficient - to undergo what Rob Hopkins of the fast-growing Transition network calls the Great Reskilling. We must learn to grow and cook food, build and restore buildings and infrastructure, process sewage, create a healthcare system that does not rely on petrochemical-based pills, and puzzle together a no-growth economic system. And, I modestly submit, we must learn to make and repair our clothes.

Rob Hopkins explains on his site what Transition Culture.org is about: “We are communities, a society, a world in transition, and to do that we need a culture of transition, but also the tools for manifesting it.” That’s where Transition Towns.org  comes in. “As we gradually reduce our dependence on fossil fuels, we start to relearn the everyday skills used by our grandparents and share new ones. The Great Reskilling aims to help us develop a sense of community well-being and resilience.”

More from A Stitch in Time:

Worldwide, we spend over $1 trillion a year on clothes. And in the UK we dispose of 900,000 tons of clothing rubbish a year. Only a tiny portion is retrieved, including 3,500 tons collected by Traid…Anything unsatisfactory is thrown into another pool, to be resold to rag traders. Some goes to Eastern Europe or Africa. And a small number of items are repaired or entirely reconfigured, for sale under Traid’s own label, Traid Remade.

A visit to Traid’s site tells us that TRAID stands for
Textile Recycling for Aid and International Development and that it is “a charity committed to protecting the environment and reducing world poverty through recycling and delivering educational programmes and campaigning within the UK. Funds raised by TRAID through the collection and sale of reclaimed clothing and shoes help to divert waste from landfill and fund sustainable development projects in some of the poorest regions of the world.”

Following their link to Shopping at TRAID takes us to TRAIDremade, which explains:

Every year in the UK, 900,000 million items of clothing, shoes and accessories are thrown away. TRAID believes that some things are just too good to go to waste. TRAIDremade is an award-winning recycled fashion label that saves textile waste from landfill and provides a stylish alternative to fashion on the high street.

Founded in 2000, TRAIDremade designers give torn and stained clothing a new lease on life by mixing, matching, ripping, cutting, sewing and printing. From floaty skirts to fitted shirts, TRAIDremade follows the fashion trends widely available on the high street. However, as designers are working exclusively with donated materials, each and every piece of TRAIDremade is completely one-off and original. TRAIDremade clothes are dynamic and fresh. www.getethical.com.

FIintoff tells us in A Stitch in Time that TRAID offers information just like The Story of Stuff video above does, but takes it to the classroom:

Traid’s education co-ordinator, Lyla Patel, visits schools to talk about landfill, wasted resources such as water used for growing cotton, pesticides and other consequences of “fast fashion”, such as sweatshops.

This does not immediately reconcile all school children to the idea of wearing second-hand clothes, she says. “Some say second-hand clothes are smelly. I say, ‘Don’t you have a washing machine?’, and say even new clothes may have been tried on many times in changing rooms. Others say, ‘I’m not poor, I don’t need second-hand.’ I point out that second-hand clothes can be more expensive than new ones at Primark.”

He goes on to remind us of Gandhi’s self-sufficiency when he decided to weave his own clothing from thread he’d spun himself.

Here are some places to get info on “refashioned” clothing for those who aren’t ready to go quite that far:

ÏThe actress Helena Bonham Carter, with her friend, swimwear designer Samantha Sage, created the label Pantaloonies, available from Harrods. Their “bespoke jeans refurbishing service” allows you to send them your favourite old pair of jeans, fill out a questionnaire and receive them back customized, reworked and rejuvenated for continued wear.

ÏG Living has a blog all sorts of info on Green style. There are categories for both vintage and refashioned clothing.

ÏThreadbanger.com will help you mend and rework your clothes DIY style through their online program and blogs.

ÏEtsy.com is for handmade items, but has a vintage section in their online shop, as well as some tips in their blog about refashioned clothing-even wedding dresses!   

ÏRecycled By Hyena .com offers us a lovely parting thought:
“Handmadeness is an antidepressant”.

So GWG encourages you to continue your love affair with your favorite clothes…guilt free!